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The fully updated new edition of this indispensable guide.
Best remembered today for her acclaimed 1928 expressionist drama Machinal, based in part on the infamous murder trial of Ruth Snyder, Sophie Treadwell was an innovative American dramatist whose career spanned almost 60 years and nearly 40 plays. A relentless experimenter in dramatic subjects, styles, and forms, Treadwell was one of a select number of American women playwrights who also actively produced and directed their own works. She was also a professional journalist, and she constantly used her writings to explore women's personal and social struggles for independence and equality. This is the first book to chronicle her many achievements. The volume includes a career and biographical overview, detailed plot summaries and critical introductions to her plays, an annotated bibliography of works by and about her, and an exhaustive production history.Studies of American theatre have too long omitted the accomplishments of Sophie Treadwell. Although best remembered today for only a single work, the explosive 1928 drama Machinal, Treadwell maintained a career in the theatre that spanned close to 60 years and included the authorship of approximately 40 plays. At a time when women playwrights were growing steadily among the ranks of Broadway dramatists, Treadwell was one of a select few of these women who also actively produced and directed their own plays. She became a relentless and articulate advocate for the commercial and artistic rights afforded playwrights on Broadway and around the world. She experimented with a range of dramatic structures and styles, and often tackle...
Born in the Southside of Chicago in 1930, Lorraine Hansberry and her family moved to a large house in a white neighborhood in 1938. In order to live there, her father had to fight a civil rights case in the Supreme Court against segregationists. Her experiences with racial discrimination fueled her strong commitment to social justice and inspired her works. In 1959, her first-produced play, A Raisin in the Sun, met the enthusiastic praise of Broadway critics and audiences alike. It was the first and longest running play by an African-American woman to be produced on Broadway. When it won the New York Drama Circle Award for the best new drama that year, Hansberry became the first black woman and the youngest recipient to earn that honor. She died just a few years later, in 1965, without ever fully realizing her potential. This reference book is a guide to her career.The volume begins with a chronology that recounts the major events in Hansberry's brief but influential life. Entries are then listed for her plays, including A Raisin in the Sun(1959), The Sign in Sidney Brustein's Window (1964), To Be Young, Gifted and Black (1969), Les Blancs (1970), The Drinking Gourd (1972), What Use Are Flowers (1972), and the unfinished Toussaint (1986). Each entry includes a plot summary, critical commentary, and production information, when available. An annotated bibliography of works by and about Hansberry, along with a list of unpublished material and archival sources, complete the volume.
The Golden Age of Spanish drama extends from the close of the 15th century to the death of Calderon in 1681. During that time, the humanists, as dramatists, followed Italy's artistic awakening direction, and imitated Classical drama. With originality and dreams of greatness, they subverted the nature of tragedy; modified the approach of Comedy and invented the New Play, the Comedia Nueva. In it the poet-dramatists introduced important modificaitons of realism, included imagined reality, Christian symbolism and theatricality, as artistic truth. They elaborate all kinds of syntheses. For this reason, the Spanish Golden Age theater can be viewed as part of a tradition that includes the Greco-Roman comedy and tragedy, Christian tragedy, and the authentic national literary and dramatic tendencies.The entries in this reference book explore the fascinating history of the Golden Age of Spanish drama. The volume begins with an introductory overview of the literary, cultural, and historical contexts that shaped dramatic writing of the period. The book then presents alphabetically arranged essays for nineteen significant Spanish dramatists of the Golden Age. Each essay is written by an expert contributor and includes biographical information, an analysis and evaluation of major works, a discussion of critical response to the plays, and an extensive bibliography of primary and secondary sources. The volume closes with a selected general bibliography of central critical studies of Golden Age Spanish drama.
Best known for his plays Six Degrees of Separation and The House of Blue Leaves, John Guare is a major figure in the contemporary American theater. Other notable works by Guare include Bosoms and Neglect, Landscape of the Body, and the Lydie Breeze series. His career began with off-off-Broadway experimentation in the sixties and continues through the present. In that time Guare has created many imaginative, eccentric plays that reflect the chaos, violence, and loneliness of life in our time. He frequently combines outrageous farce with painfully serious subject matter.This sourcebook is both a convenient reference and a resource for further investigation of Guare's works. The volume chronicles his achievements with a chronology and biographical essay. It also includes summaries of his published and unpublished plays, overviews of the critical reception of each work, production credits, a primary bibliography of dramatic and nondramatic writings, and extensive annotated bibliographies of reviews and other secondary material.
Though better known for his poetry, T. S. Eliot wrote seven important plays between 1926 and 1958, of which Murder in the Cathedral (1935) and The Cocktail Party (1949) may be most produced. Posthumously, he won Tony Awards in 1983 for the musical adaptation of his poetry in the Broadway production of Cats. He was at the forefront of a mid-twentieth-century revival of the genre of verse drama and also wrote a considerable body of dramatic criticism. Notwithstanding the hundreds of critical sources annotated in this bibliography, the Eliot industry has neglected the plays in recent years, producing few important studies on par with those on the poetry.This new sourcebook surveys the entire dramaturgical and critical discourse surrounding Eliot's plays. A separate chapter for each play provides characters, synopsis, detailed production history, critical overview of both performance reviews and scholarly response, textual notes and influences, and publishing history. The comprehensive bibliography is divided into sections for primary works, including Eliot's plays and essays on drama plus interviews and archival materials, and secondary sources, including scholarly and review criticism in general and of single plays. Also featured are a chronology of major career events, an introductory analysis, and an appendix of additional performance adaptations. Two other appendixes offer chronological access to all secondary sources and succinct data on major productions and their credits. Fully cross-referenced and indexed, this exhaustive compendium makes information and resources imme...
"The essential guide to professional opportunities and playscript procedures."-The Dramatists Guild Now in its 24th edition, the best-selling Dramatists Sourcebook is completely revised, with more than nine hundred opportunities for playwrights, translators, composers, lyricists, and librettists, as well as opportunities for screen, radio, and television writers. Thoroughly indexed, and with an invaluable calendar of deadlines, the Sourcebook contains script-submission procedures for more than 350 theaters seeking new plays; guidelines for more than 150 prizes; and sections on agents, fellowships, and residencies.
Now in its 22nd year, Dramatists Sourcebook-the bestselling guide for opportunities for stage writers-is completely revised annually, with more than 1,100 opportunities for playwrights, translators, composers, lyricists, and librettists, as well as opportunities for screen, radio, and television writers. In an easy-to-use format, the Sourcebook details script-submission procedures for more than 350 theatres seeking new plays; more than 150 prizes and sections on submission guidelines, fellowships and grants, organizations, script preparation, agents, colonies and residencies, workshops, publishing opportunities, and submission calendars. Thoroughly indexed, with an invaluable calendar of submission deadlines, this is an indispensable reference work for any playwright.
In the late nineteenth century, Asian American drama made its debut with the spotlight firmly on the lives and struggles of Asians in North America, rather than on the cultures and traditions of the Asian homeland. Today, Asian American playwrights continue to challenge the limitations of established theatrical conventions and direct popular attention toward issues and experiences that might otherwise be ignored or marginalized. While Asian American literature came into full bloom in the last 25 years, Asian American drama has yet to receive the kind of critical attention it warrants. This reference book serves as a versatile vehicle for exploring the field of Asian American drama from its recorded conception to its present stage.Included are alphabetically arranged entries for 52 Asian American dramatists of origins from India, Pakistan, Vietnam, the Philippines, Japan, Korea, and China. Each entry includes relevant biographical information that contextualizes the works of a playwright, an interpretive description of selected plays that spotlights recurring themes and plots, a summary of the playwright's critical reception, and a bibliography of primary and secondary works. The entries are written by expert contributors and reflect the ethnic diversity of the Asian American community. The volume closes with a selected, general bibliography, which includes anthologies, scholarly studies, and periodicals.
Harry Stout draws on a number of sources to outline the spectacular career of George Whitfield, commonly acknowledged as Anglo-America's most popular eighteenth-century preacher. Although Whitfield was given to self-promotion and theatricality, Stout shows that he was also sincere in is concern for the spiritual welfare of the thousands to whom he preached.
Commonly acknowledged as Anglo-America's most popular eighteenth-century preacher, George Whitefield commanded mass audiences across two continents through his personal charisma. Harry Stout draws on a number of sources, including the newspapers of Whitefield's day, to outline his subject's spectacular career as a public figure. Although Whitefield here emerges as very much a modern figures, given to shameless self-promotion and extravagant theatricality, Stout also shows that he was from first to last a Calvinist, earnest in his support of orthodox theological tenets and sincere in his concern for the spiritual welfare of the thousands to whom he preached.
Tales from the Hindu Dramatists written by R. N. Dutta.This book is about mighty king of Lunar dynasty.The story was gripping when the king goes on hunting and he saw a deer.
Tales from the Hindu Dramatists - eBook
In this short horror thriller you are invited to enter the Dramatist Theatre, where the Final Act may be your own! Long abandoned, the Dramatist sits as a dark reminder of a towns horrifying past and of the lives lost in its sinister corridors. After decades of legends and ghost stories, three intrepid teenagers decide to enter the theatre on Halloween night. What follows is a harrowing fight to survive...but the true terror waiting inside the Dramatist is not what you would ever expect!
The Dramatist - eBook
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Samuel Taylor Coleridge (1772-1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. Content: Definition of Poetry Greek Drama Progress Of The Drama The Drama Generally, And Public Taste Notes on Shakespeare Shakespeare, A Poet Generally Shakespeare's Judgment equal to his Genius Recapitulation, And Summary Of the Characteristics of Shakespeare's Dramas Outline Of An Introductory Lecture Upon Shakespeare Order Of Shakespeare's Plays Notes On The "Tempest" Love's Labour's Lost Midsummer Night's Dream Comedy Of Errors As You Like It Twelfth Night All's Well That Ends Well Merry Wives Of Windsor Measure For Measure Cymbeline Titus Andronicus Troilus And Cressida Coriolanus Julius Cæsar Antony And Cleopatra Timon Of Athens Romeo And Juliet Shakespeare's English Historical Plays King John Richard II. Henry IV. Richard III. Lear Hamlet Macbeth Winter's Tale Othello Notes on Ben Jonson Whalley's Preface Whalley's 'Life Of Jonson' Every Man Out Of His Humour Poetaster Fall Of Sejanus Volpone Apicæne The Alchemist Catiline's Conspiracy Bartholomew Fair The Devil Is An Ass The Staple Of News The New Inn Notes on Beaumont And Fletcher. Harris's Commendatory Poem On Fletcher Life Of Fletcher In Stockdale's Edition, 1811. Maid's Tragedy A King And No King The Scornful Lady The Custom Of The Country The Elder Brother The Spanish Curate Wit Without Money The Humorous Lieutenant The Mad Lover The Loyal Subject Rule A Wife And Have A Wife The Laws Of Candy The Little French Lawyer Valentinian Rollo The Wildgoose Chase A Wife For A Month The Pilgrim The Queen Of Corinth The Noble Gentleman The Coronation Wit At Several Weapons The Fair Maid Of The Inn ...
COLERIDGE: Essays & Lectures on Shakespeare, Old Poets & Dramatists - eBook
Robert Louis Stevenson has more written about him then most authors, this fascinating book looks at the work of Stevenson from a different angle, looking at his dramatic works for stage.
Robert Louis Stevenson As A Dramatist - eBook
Posthumously published in 1892, this volume collects six lectures given by Lowell in 1887. According to editor Charles Eliot Norton, "The lectures were never revised by Mr. Lowell for publication, but they contain such admirable and interesting criticism . . . that it has seemed to me that they should be given to the public." Included are: “Marlowe,” Webster,” “Chapman,” “Beaumont and Fletcher,” and “Massinger and Ford.”
The Old English Dramatists (Barnes & Noble Digital Library) - eBook
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